Quotation from Murder, Considered as One of the Fine Arts by Thomas De Quincey, first published in 1827.
Please note this was a fictional account of an address to a society that glorified muder, so treat references to the Lancashire Highwayman accordingly.
“…yet, still I am of opinion that the best artist in this century was not equal to the best in that which followed. For instance, however praiseworthy the case of Sir Edmondbury Godfrey may be (and nobody can be more sensible of its merits than I am), still I cannot consent to place it on a level with that of Mrs. Ruscombe of Bristol, either as to originality of design, or boldness and breadth of style. This good lady’s murder took place early in the reign of George III., a reign which was notoriously favorable to the arts generally. She lived in College Green, with a single maid-servant, neither of them having any pretension to the notice of history but what they derived from the great artist whose workmanship I am recording. One fine morning, when all Bristol was alive and in motion, some suspicion arising, the neighbors forced an entrance into the house, and found Mrs. Ruscombe murdered in her bed-room, and the servant murdered on the stairs: this was at noon; and, not more than two hours before, both mistress and servant had been seen alive. To the best of my remembrance, this was in 1764; upwards of sixty years, therefore, have now elapsed, and yet the artist is still undiscovered. The suspicions of posterity have settled upon two pretenders—a baker and a chimney-sweeper. But posterity is wrong; no unpractised artist could have conceived so bold an idea as that of a noon-day murder in the heart of a great city. It was no obscure baker, gentlemen, or anonymous chimney-sweeper, be assured, that executed this work. I know who it was. (Here there was a general buzz, which at length broke out into open applause; upon which the lecturer blushed, and went on with much earnestness.) For Heaven’s sake, gentlemen, do not mistake me; it was not I that did it. I have not the vanity to think myself equal to any such achievement; be assured that you greatly overrate my poor talents; Mrs. Ruscombe’s affair was far beyond my slender abilities. But I came to know who the artist was, from a celebrated surgeon, who assisted at his dissection. This gentleman had a private museum in the way of his profession, one corner of which was occupied by a cast from a man of remarkably fine proportions.
“That,” said the surgeon, “is a cast from the celebrated Lancashire highwayman, who concealed his profession for some time from his neighbors, by drawing woollen stockings over his horse’s legs, and in that way muffling the clatter which he must else have made in riding up a flagged alley that led to his stable. At the time of his execution for highway robbery, I was studying under Cruickshank: and the man’s figure was so uncommonly fine, that no money or exertion was spared to get into possession of him with the least possible delay. By the connivance of the under-sheriff he was cut down within the legal time, and instantly put into a chaise and four; so that, when he reached Cruickshank’s he was positively not dead. Mr. ——, a young student at that time, had the honor of giving him the coup de grâce, and finishing the sentence of the law.” This remarkable anecdote, which seemed to imply that all the gentlemen in the dissecting-room were amateurs of our class, struck me a good deal; and I was repeating it one day to a Lancashire lady, who thereupon informed me, that she had herself lived in the neighborhood of that highwayman, and well remembered two circumstances, which combined, in the opinion of all his neighbors, to fix upon him the credit of Mrs. Ruscombe’s affair. One was, the fact of his absence for a whole fortnight at the period of that murder: the other, that, within a very little time after, the neighborhood of this highwayman was deluged with dollars: now Mrs. Ruscombe was known to have hoarded about two thousand of that coin. Be the artist, however, who he might, the affair remains a durable monument of his genius; for such was the impression of awe, and the sense of power left behind, by the strength of conception manifested in this murder, that no tenant (as I was told in 1810) had been found up to that time for Mrs. Ruscombe’s house.
But, whilst I thus eulogize the Ruscombian case, let me not be supposed to overlook the many other specimens of extraordinary merit spread over the face of this century…”
This work of fiction was published 60 years after Higgins’s execution, but even at the time it had been rumoured that he was responsible for the murder. The facts are that Mrs Ruscombe and her maid were murdered, Higgins was never convicted of it, but neither was anyone else. The case is still unsolved.